An unconventional coming-of-age tale, ANIMALS is an intoxicating blend of fantasy and cold reality. Seventeen-year-old high-schooler Pol has stubbornly extended his childhood, aided in no small measure by his opinionated, drums-playing, English-speaking pet teddy bear, Deerhoof. But when he meets alluring new student Icari, the safety of Pol’s innocent imagination crumbles as he experiences his first pangs of love and sexual longing. But what will happen to Deerhoof in this new world and can Pol accept his new-found feelings? Co-starring Martin Freeman (The Hobbit, Sherlock) as his perceptive teacher, this fresh, inventive take on first love is funny, often bizarre and tragically intense.
Horror anthologies might be everywhere these days, but the Korean entry Horror Stories raises the bar with four terrifying stories (and a nail-biting wraparound tale), each one chilling enough to be its own feature. If you thought this was going to be a tame collection of teen-friendly “ghost girl” stories – think again. Horror Stories goes right for the jugular with non-stop splatter, intense shocks and riveting suspense. A high school girl is abducted and forced by a psycho to tell him the scariest tales she knows. "Don't Answer the Door” finds a little brother and sister home alone at night and under siege. "Endless Flight” has a serial killer escaping police custody in the middle of an otherwise empty flight. "Secret Recipe” serves up a wildly macabre fairy tale about two jealous stepsisters who take plastic surgery to nightmarish extremes. "Ambulance on the Death Zone” is a claustrophobic zombie shocker with a paramedic and a mother at a standoff over her possibly infected young daughter. An international genre festival success from Sitges to Fantasia, this is one of the best Korean horror films in years and has been called “one of the scariest Asian horror anthologies of the 21st century”. (horror-movies.ca)
This Swedish homage to Sam Raimi’s original Evil Dead (1982) is a bloody, scary tale of demonic possession. A group of naive young people find their carefree weekend in an isolated country house unhinged when one of them accidentally unleashes a mysterious and murderous creature trapped in the basement. As the demon begins to attack the couples, the blood-dredged body count mounts and with it, more creatures out for a taste of human flesh, freshly killed. The dazed young men and women soon mount their own desperate counter-attack, an attack that includes decapitations, dismemberment, spurting blood, flailing axes and the kind of gore one does associate with Swedish cinema!
A hypnotic, erotic and riveting film that transcends any perceived limitations of the science fiction genre, Vanishing Waves is one of the year’s most provocative international films. Lukas (Marius Jampolskis) is a researcher who volunteers for a sensory deprivation experiment attempting to communicate with Aurora (Jurga Jutaite), a young comatose woman. The experiment takes an unexpected twist when the two meet in their mutually altered forms of consciousness. Soon, their psychic meetings turn into a romantic, sexually charged relationship set against the backdrop of surreal dreamscapes created by their collective minds. To protect their newfound bond, Lukas hides his findings from the researchers. But, will his deception doom their relationship?
This searing coming-of-age teen drama follows two suburban girls – from vastly different backgrounds – who both become ensnared in the Neo-Nazi youth movement. Twenty-year-old Marisa is a hardcore believer, a semi-skinhead whose body is adorned with Nazi tattoos. Fourteen-year-old Svenja is a sheltered, spoiled, straight-A student who becomes fascinated with the group because of her Neo-Nazi boyfriend. They begin as adversaries, but soon become best friends, though their loyalty to each other is shaken when Marisa decides she wants to leave the group. Like American History X and Romper Stomper, Combat Girls is extremely dynamic, powerful filmmaking. REVIEWS
A rebellious teenager’s relentless exploration of her new-found sexuality is the theme to this bold and very explicit drama. Fourteen-year-old Jasna (the mesmerizing Isidora Simojonivic) lives in a dreary Belgrade suburb with her critically ill father and a nagging mother, so she flees with her gang of friends into a world of drug and alcohol-filled parties, always recording the debauchery in clips on her cell phone. She seeks comfort through her thuggish boyfriend, but he treats her as nothing more than a roughed-up sexual plaything, and as her loneliness mounts, Jasna finds herself unable to control her desires…or her life. Winner of the Tiger Award for Best Film at the Rotterdam Film Festival, the film has generated controversy all over the world (and has been banned in Russia) for its raw, graphic sexuality among the teenage cast. Like a Serbian take on Larry Clark’s Kids, CLIP is courageous, uncompromising filmmaking and marks an extraordinary debut for its gifted writer-director Maja Milos.
Sacha Polak’s debut feature is a frank and explicit look at carnal desire that is told from a distinctly female perspective. She paints an erotically charged portrait of a woman whose casual sexual encounters mask a loneliness and a craving for intimacy. Hemel (Hannah Hoekstra) is a young woman who drifts through a series of anonymous one-night stands and seems only close to her father. When he finds himself a girlfriend, Hemel’s jealousy puts her on the emotional edge. An emotionally and physically raw study of sexuality that is nothing less than mesmerizing.